Tag Archives: World Music

TouchOSC (iPad) Layout for Cubase 6

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I designed this TouchOSC layout for Cubase 6.5.
This layout controls Cubase parameters in three ways:

1. Through the Generic Remote,
2. Through the Quick Controls, and
3. Through Midi CCs and Notes, which can be recorded to any MIDI channel directly.

To use this layout:

1. Install TouchOSC app on you tablet and install the TouchOSC bridge on your computer.
2. Establish a connection between your iPad and the computer.
3. Download the layout files . (Download Here).
4. Put the .touchosc file on your device.
5. Import the xml files into Cubase. There are two files, one for the quick controls and one for the generic remote.

All files are fully editable. if you see a problem (such as a repeated CC# or a wrong assignment), or need to change something, please edit the related parameters.
A few things such as the Master fader and meters may need to be re-connected.

To obtain TouchOSC app and help on related topics please visit http://hexler.net/
To obtain information about Cubase related topics please visit the Steinberg forum.

Here are the images of this layout:

touchosc-cubase-pg6 touchosc-cubase-pg5 touchosc-cubase-pg4 touchosc-cubase-pg3 touchosc-cubase-pg2 touchosc-cubase-pg1

Enjoy.

Bansuri – Part 6 – Playing Half Notes

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Bansuri – Part 6 – Playing Half Notes
In this lesson, you will learn to play half notes on a Bansuri (Indian Flute). With this method bansuri becomes capable of playing all twelve notes of an octave. To view English Subtitles please use the ‘CC’ option. Thanks. © 2012 Plasma Records.

[youtube http://www.youtube.com/watch?v=KI2BdWYEp04&w=560&h=315]

Bansuri – Part 5 – Playing Scales with Key Change – Practical

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Bansuri – Part 5 – Playing Scales with Key Change – Practical
In this lesson, you will learn to play seven modes or scales or moorshanas, and six thaats of Northern Indian music on a Bansuri (Indian Flute). The bansuri is capable of playing these scales without using half notes. For detailed explanation please see ‘part 4’ from the same series. To view English Subtitles please use the ‘CC’ option.

[youtube http://www.youtube.com/watch?v=vUoqX9No9IE&w=560&h=315]

Bansuri – Part 4 – Playing Scales with Key Change – Theory

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Bansuri – Part 4 – Playing Scales with Key Change – Theory
In this lesson, you will learn to play seven modes or scales or moorshanas, and six thaats of Northern Indian music on a Bansuri (Indian Flute). Bansuri is capable of playing these scales without using half notes. To view English Subtitles please use the ‘CC’ option.

[youtube http://www.youtube.com/watch?v=PFALenfh9Cs&w=560&h=315]

Uttari Gunkali – Raag

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Uttari Gunkali
Thaat: Bhairavi
Jati: Sampooran- Sampooran (7/7)
Virjit Notes: none
Vadi: Sa
Samvadi: Ma
Vikrat Notes: R, G, D, N komal
Time: Morning
Aroh: S r g m P d n S*
Avroh: S* n d P m g r S

Click here to pick a Thaat (parent Scale)
Click here to pick a Jati (note count)
Click here to see the entire list alphabetically

You may also use the search feature on this blog to find a Raag.

sangtar.com > Music Theory > Raagkosh

Happy New Year! (2012)

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I would like to wish everyone a very happy new year!
2011 was a wonderful year for us. Our Australian tour was a great success.
We recorded Melbourne concert (September 25, 2011) and now Plasma Records is releasing it worldwide except Moviebox is distributing it in the UK and Europe.
The audio is already out, the video will follow shortly.
Here is a song from this upcoming release which coincidentally is very appropriate for this occasion. Enjoy!
May your 2012 will be full of excitement and happiness.

Raj Kalian – Raag

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Raj Kalian
Thaat: Kalian
Jati: Audav-Chhadav (5/6)
Vadi: G
Samvadi: N
Vikrit: M tivar
Virjit: R, P/P (rarely R is used in aroh)
Aroh: N.S G, M’D M’G, M’D S*
Avroh: S*, N R*N D, M’G R S
Time: Evening

Click here to pick a Thaat (parent Scale)
Click here to pick a Jati (note count)
Click here to see the entire list alphabetically

You may also use the search feature on this blog to find a Raag.

sangtar.com > Music Theory > Raagkosh

 

Sughrai – Raag

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Sughrai
Thaat: Kafi
Jati: Chhadav-Sampooran (6/7)
Vadi: P
Samvadi: S
Vikrit: G komal, both N
Virjit: D in aroh
Aroh: S R g m P N S*
Avroh: S* n D P, m P, g m R S
Time: Day Second Pehar

Click here to pick a Thaat (parent Scale)
Click here to pick a Jati (note count)
Click here to see the entire list alphabetically

You may also use the search feature on this blog to find a Raag.

sangtar.com > Music Theory > Raagkosh

 

Sorath – Raag

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Sorath
Thaat: Khamaj
Jati: Audav-Sampooran (5/7)
Vadi: R
Samvadi: D
Vikrit: Both Nishads
Virjit: G,D in aroh
Aroh: S R m P N S*
Avroh: S* R*,n D, m P D, m R N. S
Time: Night Second Pehar

Click here to pick a Thaat (parent Scale)
Click here to pick a Jati (note count)
Click here to see the entire list alphabetically

You may also use the search feature on this blog to find a Raag.

sangtar.com > Music Theory > Raagkosh

 

Pushapranjani – Raag

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Pushapranjani
Thaat: Pooravi
Jati: Chhadav-Chhadav (6/6)
Vadi: G
Samvadi: N
Vikrit: R komal, M both
Virjit: D /D
Aroh: S r G m M’P N S*
Avroh: S* N P m M’G r S
Time: Night Second Pehar

Click here to pick a Thaat (parent Scale)
Click here to pick a Jati (note count)
Click here to see the entire list alphabetically

You may also use the search feature on this blog to find a Raag.

sangtar.com > Music Theory > Raagkosh