Raags in each Jati and Thaats are categorized alphabetically. To write this list completely in plain text, some of the notation rules have been amended. Please use the following keys to read this list:

1. Natural notes: S R G m P D N S* represent “tone-tone-semitone-tone-tone-tone-semitone” (natural scale).
2. Vikrat Notes: Flats (Komals) are in lower case, such as: “r, g, d, n” and Sharp or Tivar Madhyam (only Madhyam is Vikrat when Tivar) is in upper case with an apostrophe such as: “M’”
3. Middle Suptak (Septave) Notes: these notes are written without any markings. S r R g G m M’ P d D n N
4. Lower Suptak Notes: These Notes are followed by a period, such as: N., d., P.
5. Upper Octave notes: These notes are followed by a star, such as: S*, r*, G*
6. Visit this post to read more about the Thaat system. And, reference to this post to view 32 Thaats.
7. Visit this post to find the definitions of various words used in this list.
8. Read about nine Jaites of Raags here.

Click here to pick a Thaat (parent Scale)
Click here to pick a Jati (note count)
Click here to see the entire list alphabetically

You may also use the search feature on this blog to find a Raag.

sangtar.com > Music Theory > Raagkosh

Please pick one of 9 Jaties below. To read more about Jaties, read this post.

• Sampooran – Sampooran (7-7)
• Sampooran – Chhadav (7-6)
• Sampooran- Audav (7-5)
• Chhadav –Sampooran (6-7)
• Chhadav – Chhadav (6-6)
• Chhadav – Audav (6-5)
• Audav –Sampooran (5-7)
• Audav –Chhadav (5-6)
• Audav- Audav (5-5)
• Other (x-x)

Click here to pick a Thaat (parent Scale)
Click here to pick a Jati (note count)
Click here to see the entire list alphabetically

You may also use the search feature on this blog to find a Raag.

sangtar.com > Music Theory > Raagkosh

Please read a note on Thaats here. Please pick a Thaat below:

1. Asavari – S,R,g,m,P,d,n,S*
2. Bakulabharan – S,r,G,m,P,d,n,S*
3. Bhairav – S,r,G,m,P,d,N,S*
4. Bhairavi – S,r,g,m,P,d,n,S*
5. Bhavpirya – S,r,g,M’,P,d,n,S*
6. Bilaval – S,R,G,m,P,D,N,S*
7. Chakarvak (Ahir Bhairav) – S,r,G,m,P,D,n,S*
8. Charukeshi – S,R,G,m,P,d,n,S*
9. Dharamvati – S,R,g,M’,P,D,N,S*
10. Dhenuka – S,r,g,m,P,d,N,S*
11. Gauri Manohari – S,R,g,m,P,D,N,S*
12. Hemvati – S,R,g,M’,P,D,g,S*
13. Kafi – S,R,g,m,P,D,n,S*
14. Kalian – S,R,G,M’,P,D,N,S*
15. Khamaj – S,R,G,m,P,D,n,S*
16. Kirvani – S,R,g,m,P,d,N,S*
17. Kokilpirya – S,r,g,m,P,D,N,S*
18. Latangi – S,R,G,M’,P,d,N,S*
19. Marva/Gamanpirya – S,r,G,M’,P,D,N,S*
20. Namnarayani – S,r,G,M’,P,d,n,S*
21. Natakpirya – S,r,g,m,P,D,n,S*
22. Pooravi – S,r,G,M’,P,d,N,S*
23. Rampirya – S,r,G,M’,P,D,n,S*
24. Rishavpirya – S,R,G,M’,P,d,n,S*
25. Sahinder Madhyam – S,R,g,M’,P,d,N,S*
26. Sarsangi – S,R,G,m,P,d,N,S*
27. Shadvidhmargani – S,r,g,M’,P,D,n,S*
28. Shanmukhpirya – S,R,g,M’,P,d,n,S*
29. Suryakant – S,r,G,m,P,D,N,S*
30. Swaranangi – S,r,g,M’,P,D,N,S*
31. Todi – S,r,g,M’,P,d,N,S*
32. Vachaspati – S,R,G,M’,P,D,n,S*

To see how thaats relate to each other, please visit this page:

Click here to pick a Thaat (parent Scale)
Click here to pick a Jati (note count)
Click here to see the entire list alphabetically

You may also use the search feature on this blog to find a Raag.

sangtar.com > Music Theory > Raagkosh