Jati: Audav – Sampooran (5-7)

Raags of Audav-Sampooran (5/7) Jati have 5 notes in Aroh (ascending) and 7 notes in Avroh (descending). This is the seventh of nine Jaties.

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Thaat: Asavari

raagkosh-0-asavari

Asavari Thaat uses the following notes:

S, R, g, m, P,d, n, S*

in other words “Tone, semitone, Tone, Tone, Semotone, Tone, Tone” is Asavari.

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Raag Abheri

Raag name: Abheri
Thaat: Asavari
Jati: Audav -Sampooran (5/7)
Virjit Notes: ‘R’ & ‘D’ in Aroh
Vadi: Ma
Samvadi: Ni
Vikrat Notes: R, G, D,N komal
Time: Morning
Aroh: S g m P n S*
Avroh: S* n d P m g r S

 

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Raagkosh – Alphabetical list

Please pick a letter:

A, B, C, D, E, F,
G, H, I , J, K, L,
M, N, O, P, Q, R,
S, T, U, V, W, X, Y, Z

A

B

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C

D

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E

F

 

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A note on Thaats

Many modern musicologists believe that there are only 10 usable Thaats in modern Northern Indian music. Although there are many popular Raags today, that do not comply with this theory. Pundit Bhatkhande devised a system to assign Thaats for such Raags based on their usage of the following notes:

‘r’ and ‘d’ komal
‘R’ and ‘D’ shudh
‘g’ and ‘n’ komal

The above division of Raags is born out of the ‘Raag-Time Theory’. This system works fine as long as one is well versed in both theories (Thaat system and Time Theory). Mathematically this system has no value. The Thaat System was devised on usage of notes in a certain fashion (mathematically). A Raag should not have any notes that do not exist in its parent Thaat. To find the solution to this problem, we are going back to the original Thaat system. According to which there are 32 Sampooran Thaats. This Ragkosh is based on that theory. Still,
special attention has been paid to mention the popular Thaat for those Raags which have been categorized under another than their original Thaat.

Back to the Thaat List.

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A note on Ragkosh

Raags in each Jati and Thaats are categorized alphabetically. To write this list completely in plain text, some of the notation rules have been amended. Please use the following keys to read this list:

1. Natural notes: S R G m P D N S* represent “tone-tone-semitone-tone-tone-tone-semitone” (natural scale).
2. Vikrat Notes: Flats (Komals) are in lower case, such as: “r, g, d, n” and Sharp or Tivar Madhyam (only Madhyam is Vikrat when Tivar) is in upper case with an apostrophe such as: “M’”
3. Middle Suptak (Septave) Notes: these notes are written without any markings. S r R g G m M’ P d D n N
4. Lower Suptak Notes: These Notes are followed by a period, such as: N., d., P.
5. Upper Octave notes: These notes are followed by a star, such as: S*, r*, G*
6. Visit this post to read more about the Thaat system. And, reference to this post to view 32 Thaats.
7. Visit this post to find the definitions of various words used in this list.
8. Read about nine Jaites of Raags here.

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List of Jaties

Please pick one of 9 Jaties below. To read more about Jaties, read this post.

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List of Thaats

Thaats

Please read a note on Thaats here. Please pick a Thaat below:

  1. Asavari – S,R,g,m,P,d,n,S*
  2. Bakulabharan – S,r,G,m,P,d,n,S*
  3. Bhairav – S,r,G,m,P,d,N,S*
  4. Bhairavi – S,r,g,m,P,d,n,S*
  5. Bhavpirya – S,r,g,M’,P,d,n,S*
  6. Bilaval – S,R,G,m,P,D,N,S*
  7. Chakarvak (Ahir Bhairav) – S,r,G,m,P,D,n,S*
  8. Charukeshi – S,R,G,m,P,d,n,S*
  9. Dharamvati – S,R,g,M’,P,D,N,S*
  10. Dhenuka – S,r,g,m,P,d,N,S*
  11. Gauri Manohari – S,R,g,m,P,D,N,S*
  12. Hemvati – S,R,g,M’,P,D,g,S*
  13. Kafi – S,R,g,m,P,D,n,S*
  14. Kalian – S,R,G,M’,P,D,N,S*
  15. Khamaj – S,R,G,m,P,D,n,S*
  16. Kirvani – S,R,g,m,P,d,N,S*
  17. Kokilpirya – S,r,g,m,P,D,N,S*
  18. Latangi – S,R,G,M’,P,d,N,S*
  19. Marva/Gamanpirya – S,r,G,M’,P,D,N,S*
  20. Namnarayani – S,r,G,M’,P,d,n,S*
  21. Natakpirya – S,r,g,m,P,D,n,S*
  22. Pooravi – S,r,G,M’,P,d,N,S*
  23. Rampirya – S,r,G,M’,P,D,n,S*
  24. Rishavpirya – S,R,G,M’,P,d,n,S*
  25. Sahinder Madhyam – S,R,g,M’,P,d,N,S*
  26. Sarsangi – S,R,G,m,P,d,N,S*
  27. Shadvidhmargani – S,r,g,M’,P,D,n,S*
  28. Shanmukhpirya – S,R,g,M’,P,d,n,S*
  29. Suryakant – S,r,G,m,P,D,N,S*
  30. Swaranangi – S,r,g,M’,P,D,N,S*
  31. Todi – S,r,g,M’,P,d,N,S*
  32. Vachaspati – S,R,G,M’,P,D,n,S*

To see how thaats relate to each other, please visit this page:

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Raagkosh – Alphabetical list (S-Z)

Please pick a letter:

A, B, C, D, E, F,
G, H, I , J, K, L,
M, N, O, P, Q, R,
S, T, U, V, W, X, Y, Z

 

S

T

U

V

W

X

Y

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Z

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Raagkosh – Alphabetical list (M-R)

Please pick a letter:

A, B, C, D, E, F,
G, H, I , J, K, L,
M, N, O, P, Q, R,
S, T, U, V, W, X, Y, Z

M

N

O

P

Q

R

^ Top

Click here to pick a Thaat (parent Scale)
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Click here to see the entire list alphabetically

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sangtar.com > Music Theory > Raagkosh