Bansuri – Part 5 – Playing Scales with Key Change – Practical
In this lesson, you will learn to play seven modes or scales or moorshanas, and six thaats of Northern Indian music on a Bansuri (Indian Flute). The bansuri is capable of playing these scales without using half notes. For detailed explanation please see ‘part 4’ from the same series. To view English Subtitles please use the ‘CC’ option.
[youtube http://www.youtube.com/watch?v=vUoqX9No9IE&w=560&h=315]
Bansuri – Part 4 – Playing Scales with Key Change – Theory
In this lesson, you will learn to play seven modes or scales or moorshanas, and six thaats of Northern Indian music on a Bansuri (Indian Flute). Bansuri is capable of playing these scales without using half notes. To view English Subtitles please use the ‘CC’ option.
[youtube http://www.youtube.com/watch?v=PFALenfh9Cs&w=560&h=315]
Uttari Gunkali
Thaat: Bhairavi
Jati: Sampooran- Sampooran (7/7)
Virjit Notes: none
Vadi: Sa
Samvadi: Ma
Vikrat Notes: R, G, D, N komal
Time: Morning
Aroh: S r g m P d n S*
Avroh: S* n d P m g r S
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I would like to wish everyone a very happy new year!
2011 was a wonderful year for us. Our Australian tour was a great success.
We recorded Melbourne concert (September 25, 2011) and now Plasma Records is releasing it worldwide except Moviebox is distributing it in the UK and Europe.
The audio is already out, the video will follow shortly.
Here is a song from this upcoming release which coincidentally is very appropriate for this occasion. Enjoy!
May your 2012 will be full of excitement and happiness.
Raj Kalian
Thaat: Kalian
Jati: Audav-Chhadav (5/6)
Vadi: G
Samvadi: N
Vikrit: M tivar
Virjit: R, P/P (rarely R is used in aroh)
Aroh: N.S G, M’D M’G, M’D S*
Avroh: S*, N R*N D, M’G R S
Time: Evening
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sangtar.com > Music Theory > Raagkosh
Sughrai
Thaat: Kafi
Jati: Chhadav-Sampooran (6/7)
Vadi: P
Samvadi: S
Vikrit: G komal, both N
Virjit: D in aroh
Aroh: S R g m P N S*
Avroh: S* n D P, m P, g m R S
Time: Day Second Pehar
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sangtar.com > Music Theory > Raagkosh
Sorath
Thaat: Khamaj
Jati: Audav-Sampooran (5/7)
Vadi: R
Samvadi: D
Vikrit: Both Nishads
Virjit: G,D in aroh
Aroh: S R m P N S*
Avroh: S* R*,n D, m P D, m R N. S
Time: Night Second Pehar
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sangtar.com > Music Theory > Raagkosh
Pushapranjani
Thaat: Pooravi
Jati: Chhadav-Chhadav (6/6)
Vadi: G
Samvadi: N
Vikrit: R komal, M both
Virjit: D /D
Aroh: S r G m M’P N S*
Avroh: S* N P m M’G r S
Time: Night Second Pehar
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sangtar.com > Music Theory > Raagkosh
Multani
Thaat: Todi
Jati: Audav-Sampooran (5/7)
Vadi: P
Samvadi: S
Vikrit: R,G,D komal; M tivar
Virjit: R,D in Aroh
Aroh: N.S, g M’P, N S*
Avroh: S* N d P, M’g, r S
Time: Day, Fourth Pehar
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sangtar.com > Music Theory > Raagkosh
Mira Malhar
Thaat: Kafi
Jati: Sampooran-Sampooran (7/7)
Vadi: M
Samvadi: S
Vikrit: Both Gandhars, Dhaivats and Nishads
Virjit: none
Aroh: N.S, R g m P, n D N S*
Avroh: S* d n P, m P G m, R N.S
Time: Midnight
Click here to pick a Thaat (parent Scale)
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You may also use the search feature on this blog to find a Raag.
sangtar.com > Music Theory > Raagkosh