Kamai
Thaat: Khamaj
Jati: Audav-Sampooran (5/7)
Vadi: M
Samvadi: S
Vikrit: N komal
Virjit: R,D in aroh
Aroh: S G, m P, n S*
Avroh: S* n, D P, m G R S
Time: Night Second Pehar
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[youtube http://www.youtube.com/watch?v=9aWinnPxw0A&fs=1&hl=en_US&rel=0]
Kalingra
Thaat: Bhairav
Jati: Sampooran-Sampooran (7/7)
Vadi: P
Samvadi: S
Vikrit: R & D komal
Virjit: None
Aroh: S r G m P d N S*
Avroh: S* N d P m G r S
Time: Night Last Pehar
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Kakubh
Thaat: Bilaval
Jati: Sampooran-Sampooran (7/7)
Vadi: M
Samvadi: S
Vikrit: Both Nishads
Virjit: None
Aroh: S R G m P D N S*
Avroh: S* n D P m G R S
Time: Morning
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[youtube http://www.youtube.com/watch?v=DvqRPnzmFQE&fs=1&hl=en_US&rel=0]
Kafi
Thaat: Kafi
Jati: Sampooran-Sampooran (7/7)
Vadi: P
Samvadi: S
Vikrit: G & N Komal
Virjit: none
Aroh: S R g m P D n S*
Avroh: S* n D P m g R S
Time: Midnight
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Khamaj Raag is not the Ashyrya Raag (premier) of Khamaj thaat as it is not a sampoorn-sampooran Raag. The first Raag of Khamaj Thaat is Jhinjhoti. However, it is a famous and a very sweet Raag. Lots of folk tunes are based on this raag.
Khamaj
Thaat: Khamaj
Jati: Chhadav-Sampooran (6/7)
Vadi: G
Samvadi: N
Vikrit: Both Nishads
Virjit: R in Aroh
Aroh: S G m P D N S*
Avroh: S* n D P m G R S
Time: Night Second Pehar
Although Khamaj Thaat and Raag are based on seventh flat (Komal nishad), there is a common practice in Indian music to use Tivar (Shudh) Nishad with Raags of Khamaj Thaat. Tivar Nishad can also be added to Khamaaj Raag without breaking any rules. Dhaivat is slightly weak in Aroh, the Raag’s main ascending phrase is G, M, P, N. Pancham or Pa is often Vakar (jumped over) in Avroh (D, M, P, M).
Lakshan Geet Raag Khamaj:
Here is the same composition in Staff Notation:
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[youtube http://www.youtube.com/watch?v=GFxZLmyNcos&hl=en_US&fs=1&rel=0]
Todi
Thaat: Todi
Jati: Sampooran-Sampooran (7/7)
Vadi: D
Samvadi: G
Vikrit: M tivar, R, G, D komal
Virjit: none
Aroh: S r g M’ P d N S*
Avroh: S* N d P M’ g r S
Time: Day Second Pehar
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https://youtu.be/Yt_0NRe4qKM
Shyam Kalian
Thaat: Kalian
Jati: Audav-Sampooran (5/7)
Vadi: S
Samvadi: M
Vikrit: Both Madhyams
Virjit: G,D in aroh
Aroh: N.S R M’ P, D P,N S*
Avroh: S* N D, M’P G m R, N. S
Time: Night First Pehar
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Viranchmukhi
Thaat: Kalian
Jati: Audav-Chhadav (5/6)
Vadi: G
Samvadi: N
Vikrit: Both M
Virjit: R,D / D
Aroh: S m, G P, M’ m G, P N S*
Avroh: S* N P, M’ m G, P, G, P R S m
Time: Night Second Pehar
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Vijaya
Thaat: Dharamvati, Kafi*
Jati: Chhadav-Chhadav (6/6)
Vadi: S
Samvadi: S
Vikrit: G komal, M tivar
Virjit: N / N
Aroh: S R g M’ P D S*
Avroh: S* D P M’, g R S
Time: Evening
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Tirveni
Thaat: Pooravi
Jati: Chhadav-Chhadav (6/6)
Vadi: R
Samvadi: P
Vikrit: R, D komal
Virjit: M in aroh and Avroh
Aroh: S r G P d N S*
Avroh: S* N d P G r S
Time: Evening
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