Here is one last look at creating 32 Thaats by flipping the scales.
The 12 notes of Indian music are:
S, r, R, g, G, m, M’, P, d, D, n, N
As you can see, S and P (1st and 5th) are immovable. Both of these notes have only one permanent position in the scale.
The other five notes have two positions each, lower and upper position or Komal and Tivar position. When we flip a Thaat, we simply change the positions of these five notes. We move the Tivars to Komal position and the Komals to Tivar position.
The all Tivar scale is: S, R, G, M’, P, D, N, S (Kalian) and
The all Komal scale is S, r, g, m, P, d, n, S. (Bhairavi)
The entire secret to understand this theory lies in understanding these two scales. If one scale is made by lowering a certain note in Kalian, in essence, its flipped Thaat is made by making the same note Tivar in Bhairavi.
In the following table, I have written the Flipped Thaats opposite of each other. Notice how the positions of these five notes (R, G, M, D and N) are swapped. Then there is also an interactive flash movie below to visualize these notes on a keyboard.
Thaat
|
Scale
|
flip
|
Scale
|
Thaat
|
Vachaspati
|
S,R,G,M’,P,D,n,S
|
S,r,g,m,P,d,N,S
|
Dhenuka
|
|
Latangi
|
S,R,G,M’,P,d,N,S
|
S,r,g,m,P,D,n,S
|
Natakpirya
|
|
Rishavpirya
|
S,R,G,M’,P,d,n,S
|
S,r,g,m,P,D,N,S
|
Kokilpirya
|
|
Dharamvati
|
S,R,g,M’,P,D,N,S
|
S,r,G,m,P,d,n,S
|
Bakulabharan
|
|
Hemvati
|
S,R,g,M’,P,D,g,S
|
S,r,G,m,P,d,N,S
|
Bhairav or Malavgaud
|
|
Sahinder Madhyam
|
S,R,g,M’,P,d,N,S
|
S,r,G,m,P,D,n,S
|
Chakarvak or Ahir Bhairav
|
|
Shanmukhpirya
|
S,R,g,M’,P,d,n,S
|
S,r,G,m,P,D,N,S
|
Suryakant or Anand Bhairav
|
|
Gamanpirya or Marava
|
S,r,G,M’,P,D,N,S
|
S,R,g,m,P,d,n,S
|
Asavari
|
|
Rampirya
|
S,r,G,M’,P,D,n,S
|
S,R,g,m,P,d,N,S
|
Kirvani
|
|
Kamvardhani or Pooravi
|
S,r,G,M’,P,d,N,S
|
S,R,g,m,P,D,n,S
|
Kafi or Kharharpirya
|
|
Namnarayani
|
S,r,G,M’,P,d,n,S
|
S,R,g,m,P,D,N,S
|
Gauri Manohari
|
|
Swaranangi
|
S,r,g,M’,P,D,N,S
|
S,R,G,m,P,d,n,S
|
Charukeshi
|
|
Shadvidhmargani
|
S,r,g,M’,P,D,n,S
|
S,R,G,m,P,d,N,S
|
Sarsangi
|
|
Shubh Pantuvarali or Todi
|
S,r,g,M’,P,d,N,S
|
S,R,G,m,P,D,n,S
|
Khamaj or Harkambhoji
|
|
Bhavpirya
|
S,r,g,M’,P,d,n,S
|
S,R,G,m,P,D,N,S
|
Bilaval or Shankrabharan
|
|
Bhairavi
|
S,r,g,m,P,d,n,S
|
S,R,G,M’,P,D,N,S
|
Kalian
|
[iframe width=”100%” height=”300″ src=”https://www.sangtar.com/canvas/170202-flip-thaats_Canvas.html” align=”middle”]
I liked most this text (written) theory of thaat
I feel wonderful experience whene I read the opposite composition of sudh-vikrit
Namaste Ji
Mein jaanna chahti houn ki jo 32 thaats Bhatkhande Ji ne banaye the, oun thaaton ka koyi naam hai?
Because I am aware of only 10 of them.
Please if ever you have this information please share it with me.
Dhanyavaad
Narmada